"Khairy Beshara and his level-headed camera capture and expose reality. Whether a documentary or a feature film, a Beshara picture is everyday life without embellishments or deliberate distortion." Mohamed Al Assiouty, Al Ahram Weekly, April 1998 "Intelligently scripted and directed, "House Boat No. 70" will continue to stir the waters in and out of the Arab Cinema world. Its main drawback is trying to tell too much - pic runs over two hours - but then there is a new realism in Egyptian cinema to be won. Khairy Beshara is a new name to watch" Holl, Variety Magazine, June 16, 1982 |
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"Set mainly against the magnificent backdrop of the ancient village of Karnak, a train of tragic and bewildering events disrupts the lives of three generations of women. In this daring and powerful new film, Khairy Beshara examines through the rituals of birth, marriage and death during the two decades preceding the 1952 revolution, the hold of myths and tradition on an Upper Egyptian village. Hazina Wife of an invalid and mother of an absent son (who is working in Sudan), struggles hard to ensure her daughter's happiness, even if she has to resort to magic to unbind the spell of her daugther's marriage to an impotent blacksmith...But all courageous and individual attempts seem to be wasted against the bonds of tradition, poverty and paucity of choice. Despite an abundance of sensuality and life, the recurrence of tragic events emphasizes the changelessness of the village and time. But the overriding metaphors of Beshara's beautiful film are impotence and absence, perhaps today's most poignant Arab concerns." Rosa Issa, London Film Festival, November 1987 |
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